by John
Cayley
O V E
R B O A R D
An Example of
Ambient Time-Based Poetics in digital art
overboard
by John Cayley, with Giles Perring, is an example
of literal art in digital media that demonstrates
an 'ambient' time-based poetics. There is a stable
text underlying its continuously changing display
and this text may occasionally rise to the surface
of normal legibility in its entirety. However,
overboard is installed as a dynamic
linguistic 'wall-hanging,' an ever-moving 'language
painting.' As time passes, the text drifts
continually in and out of familiar legibility -
sinking, rising, and sometimes in part, 'going
under' or drowning, then rising to the surface once
again. It does this by running a program of simple
but carefully designed algorithms which allow
letters to be replaced by other letters that are in
some way similar to the those of the original text.
Word shapes, for example, are largely preserved. In
fact, except when 'drowning,' the text is always
legible to a reader who is prepared to take time
and recover its principles. A willing reader is
able to preserve or 'save' the text's
legibility.
dichtung-digital